Sophia Loren (1934) rose to fame in post-war Italy as a voluptuous sex goddess, but proved to be an excellent, Oscar winning actress. She became one of the most successful international stars of the 20th Century with such unforgettable films as La Ciociara/Two Women (1960) and Una giornata particolare/A Special Day (1977). Loren made over 100 films in her 50-year career and her pictures in the 2007 Pirelli calendar proved that she is still a major sex symbol.
German postcard by Universum-Film Aktiengesellschaft, Berlin-Tempelhof (Ufa), nr. CK-221. Retail price: 30 Pfg. Photo: Sam Lévin/Ufa.
French postcard by Mexichrome, nr. 16. Photo: Sam Lévin.
French postcard by E.D.U.G. (Editions du Globe), Paris. nr. 39. Offered by Corvisart, Epinal. Photo: Sam Lévin.
Sophia Loren was born Sofia Villani Scicolone in the charity ward of a Rome hospital in 1934. She was the illegitimate daughter of construction engineer Riccardo Scicolone and piano teacher and aspiring actress Romilda Villani. Riccardo was married to another woman and refused to marry Romilda, leaving her without support. Romilda, Sofia and sister Maria returned to Pozzuoli to live with Sofia's grandmother. Pozzuoli was a small town outside Naples and one of the hardest hit during World War II. The family shared a two-room apartment with a grandmother and several aunts and uncles, where the shy, stick thin girl regularly went hungry and had to flee from bombings. At 14, Sofia had a voluptuous figure and entered a beauty contest. She was selected as one of the finalists, but did not win. In 1949, she was one of the contestants at the Miss Italia competition. She earned the 2nd place and was awarded ‘Miss Eleganza’. While attending the Miss Rome beauty contest in 1950, she met judge Carlo Ponti, an up-and-coming film producer, 22 years her senior. He had helped launch Gina Lollobrigida's career, and now began grooming Sofia for stardom. He hired an acting coach to tutor her, and at 16 she was in her first film, the Totó comedy Le Sei Mogli di Barbablù/Bluebeard’s Six Wives (1950, Carlo Ludovico Bragaglia) under the name Sofia Lazzaro. She also appeared as an extra in Luci del varietà/Lights of the Variety (1950, Federico Fellini), the smash hit Anna (1951, Alberto Lattuada) and Quo Vadis (1951, Mervyn LeRoy). During the early 1950's she secured work modelling for fumetti magazines. Comic-like, these magazines used actual photographs. The dialogue bubbles were called fumetti - hence the popular name. At 17, she was cast by Ponti in her first larger role as the commoner who caught the prince's eye in the filmed opera La Favorita/The Favorite (1952, Cesare Barlacchi). The next year she earned third billing after Silvana Pampanini and Eleanora Rossi-Drago in La Tratta Delle Bianche/The White Slave Trade (1953, Luigi Comencini) and she played, complete with blackface and an Afro, the lead in another filmed opera, Aida (1953, Clemente Fracassi) by Giuseppe Verdi. Her singing was dubbed by Renata Tebaldi. Ponti eventually changed her name to Sophia Loren.
German postcard by WS-Druck, Wanne-Eickel, nr. 283. Photo: U.P.
German postcard by Kolibri-Verlag, Minden/Westf., nr. 2993.
German postcard by WS-Druck, Wanne-Eickel, nr. 185. Photo: dpa.
French postcard by Editions du Globe (EDUG), Paris, nr. 373. Photo: Sam Lévin.
Sophia Loren appeared for the first time with Marcello Mastroianni in the romantic comedy Peccato che sia una canaglia/Too Bad She's Bad (1954, Alessandro Blasetti). They would make 13 films together, including Tempi nostri/A Slice of Life (1954, Alessandro Blasetti, Paul Paviot), La bella mugnaia/The Miller's Wife (1955, Mario Camerini), and La fortuna di essere donna/What A Woman (1956, Alessandro Blasetti). L'Oro di Napoli/Gold of Naples (1954, Vittorio de Sica), an anthology of tales depicting various aspects of Neapolitan life, was distributed internationally. At AllMovie, Jason Ankeny writes that in reviews "Loren was singled out for the strength of her performance as a Neapolitan shopkeeper, surprising many critics who had dismissed her as merely another bombshell". The film established her persona as a sensuous working class earth mother. It also began a fruitful, career-long collaboration with De Sica. Sophia’s first film to find international success was La Donna del Fiume/The River Girl (1955, Mario Soldati), in which she danced sensually the Mambo Bacan. Hal Erickson at AllMovie writes: "Through it all, Sophia Loren looks like a million lire--and she even gets to sing and dance!". She came to the attention of Stanley Kramer who offered her the female lead in The Pride And The Passion (1957, Stanley Kramer) opposite Cary Grant and Frank Sinatra. Sophia played a Spanish peasant girl involved in an uprising against the French. This was the turning point in her career, and the film proved to be one of the top U.S. box office successes of the year. Her next English-language film was Boy on a Dolphin (1957, Jean Negulesco) with Alan Ladd, where she was memorable mostly for emerging from the water in a wet, skin-tight, transparent dress. With her va-va-va-voom image she became an international film star and got a five-picture contract with Paramount Pictures. Among her films at this time were Desire Under the Elms (1958, Delbert Mann) with Anthony Perkins, based upon the Eugene O'Neill play; Houseboat (1958, Melville Shavelson), a romantic comedy co-starring Cary Grant; and the western Heller in Pink Tights (1960, George Cukor) in which she appeared for the first time with blonde hair (a wig). Most of these films were received lukewarmly at best.
German postcard by Krüger, nr. 902/446. Photo: Ufa.
German postcard by Terra-Color, nr. F 190. Sent by mail in 1962.
Dutch postcard by Uitg. Takken, Utrecht, nr. 4894. Photo: Hafbo. Still from El Cid (1961, Anthony Mann).
In 1960 Sophia Loren returned to Italy to star in the biggest success of her career, La Ciociara/Two Women (1960, Vittorio De Sica). She played a widow desperately trying to protect her daughter from danger during WW II, only to end up in a destructive love triangle with a young radical (Jean Paul Belmondo). Hal Erickson writes: "A last-minute replacement for Anna Magnani, Sophia Loren brought hitherto untapped depths of emotion to her performance in Two Women; she later stated that she was utilizing 'sensory recall,' dredging up memories of her own wartime experiences." Loren won the Best Actress Oscar for her performance, and also the Cannes, Venice ánd Berlin Film Festivals' best performance prizes. Next she played in Spain Samuel Bronston's epic production of El Cid (1961, Anthony Mann) with Charlton Heston, followed by the De Sica episode of the anthology Boccaccio '70 (1962, Vittorio De Sica, Federico Fellini, Luchino Visconti). On the strength of her Oscar win, she also returned to English-language fare with Five Miles to Midnight (1963, Anatole Litvak), followed a year later by The Fall of the Roman Empire (1964, Anthony Mann), for which she received $1 million. Among Loren's other films of this period are The Millionairess (1960, Anthony Asquith) with Peter Sellers, It Started in Naples (1960, Melville Shavelson) with Clark Gable, Lady L (1965, Peter Ustinov) with Paul Newman, Arabesque (1966, Stanley Donen) with Gregory Peck, and Charlie Chaplin's final film, A Countess from Hong Kong (1967) with Marlon Brando. Despite the failure of many of her films to generate sales at the box office, she invariably turned in a charming performance and she wore some of the most lavish costumes ever created for the cinema. Her best Italian films include the triptych Ieri, oggi, domani/Yesterday, Today And Tomorrow (1963, Vittorio De Sica), a comedy that poked fun at a Catholic priest and gently mocked the Italian law on birth control, and Matrimonio all'Italiana/Marriage Italian Style (1964, Vittorio De Sica) with Loren as the hooker who lures Mastroianni into marriage.
German Postcard by WS-Druck, Wanne-Eickel, nr. F 13. Photo: Klaus Collignon.
German postcard by ISV, nr. A 93. Photo: 20th Century Fox. Publicity still for the British film The Millionairess (1960, Anthony Asquith).
German postcard by Filmbilder-Vertrieb Ernst Freihoff, Essen, nr. A 102. Photo: 20th Century Fox. Publicity still for The Millionairess (1960, Anthony Asquith).
A Special Day
After several miscarriages and a highly-publicized struggle to become pregnant, Sophia Loren gave birth to son Hubert Leoni Carlo Ponti in 1968. She started to work less, and moved into her 40’s and 50’s with roles in films like De Sica's war drama I Girasoli/The Sunflowers (1972, Vittorio De Sica), Il Viaggio/The Voyage (1974, Vittorio De Sica) opposite Richard Burton, and reuniting with Marcello Mastroianni in the mob comedy La Pupa del Gangster/Get Rita (1975, Giorgio Capitani). An artistic highlight was Una giornata particolare/A Special Day (1977, Ettore Scola) which earned a Golden Globe for Best Foreign Film. Loren played a bored housewife at the day of the first meeting between Mussolini and Hitler. Left alone in her tenement home when her fascist husband runs off to attend the historic event, Loren strikes up a friendship with her homosexual neighbor (Marcello Mastroianni). As the day segues into night, Loren and Mastroianni develop a very special relationship that will radically alter both of their outlooks on life. When a dubbed version found favor with American audiences, Hollywood again came calling, resulting in a pair of thrillers, The Brass Target (1978, John Hough) and Firepower (1979, Michael Winner) which offered her a central role as a widow seeking answers in the murder of her chemist husband. In 1980, Loren portrayed herself, as well as her mother, in Sophia Loren: Her Own Story (1980, Mel Stuart), a made-for-television biopic adaptation of her autobiography. Actresses Ritza Brown and Chiara Ferrari played Loren at younger ages. She made headlines in 1982 when she served an 18-day prison sentence in Italy on tax evasion charges, a fact that didn't damage her career or popularity. In her 60’s, Loren ventured into various areas of business, including cook books, eyewear, jewelry and perfume. In honor of her lengthy career, Loren was the recipient of a special Oscar in 1991. She also made well-received appearances in her final film with Mastroianni, Prêt-à-Porter/Ready to Wear (1994), Robert Altman's take on the French fashion scene, and in the comedy hit Grumpier Old Men (1995, Howard Deutch) playing a femme fatale opposite Walter Matthau and Jack Lemmon. In 1995 she received the Golden Globe Cecil B. DeMille Award. At the age of 72, she appeared scantily-clad in the 2007 edition of the famous calendar of Italian racing tire giant Pirelli. It made her the oldest model in the calendar's history. The photos by Dutch photographers Inez van Lamsweerde and Vinoodh Matadin proved that she was still a major international sex symbol. In 2007 Carlo Ponti died. It had been controversial in her native Italy when Sophia Loren had married her mentor Ponti in 1957. Not only was he 45 to her 23, but he had been married previously, and neither the Catholic Church nor Italian government recognized his Mexican divorce. Ponti was charged with bigamy, but the charges were dropped when they had their marriage annulled. They continued living together - scandalous at the time - and remarried after his legal problems had been cleared. Ponti and Loren made three dozen films together. They had two children, symphony conductor Carlo Ponti Jr. and film director Edoardo Ponti. After four years off the big screen, Sophia Loren co-starred in a film version of the Broadway musical Nine (2009, Rob Marshall). She played the mother of famous film director Guido Contini, portrayed by Daniel Day-Lewis. This year Loren was working in Italy on a two-part television biopic of her early life titled La Mia Casa È Piena di Specchi/My House Is Full of Mirrors (2010, Vittorio Sindoni), based on of the memoir written by her sister Maria Scicolone. These days Sophia Loren divides her time between Switzerland and Los Angeles where she is close to her sons and their families. With a career that has already spanned six decades and been honored with 50 awards, Sophia Loren remains one of the most beloved and recognizable figures in the international film world.
Sophia Loren dances the Mambo Bacan in La donna del fiume (1955). Source: primocarnero07 (YouTube).
Trailer for Boy on a Dolphin (1957). Source: HQTrailers1 (YouTube).
Trailer for Nine (2009). Source: HQTrailers1 (YouTube).
Sources: Jason Ankeny (AllMovie), Hal Erickson (AllMovie), Jenny (IMDb), Wikipedia, NNDB, Love Goddess, TCM and IMDb.